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J. R. R. Tolkien

J.R.R. Tolkien (1892.1973), beloved throughout the world as the creator of The Hobbit and The Lord of the Rings, was a professor of Anglo-Saxon at Oxford, a fellow of Pembroke College, and a fellow of Merton College until his retirement in 1959. His chief interest was the linguistic aspects of the early English written tradition, but even as he studied these classics he was creating a set of his own.

The Best 13 Books on J. R. R. Tolkien

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The Lord of the Rings: 50th Anniversary, One Vol. Edition

A PBS Great American Read Top 100 Pick

One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them

In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins.

From Sauron's fastness in the Dark Tower of Mordor, his power spread far and wide. Sauron gathered all the Great Rings to him, but always he searched for the One Ring that would complete his dominion.

When Bilbo reached his eleventy-first birthday he disappeared, bequeathing to his young cousin Frodo the Ruling Ring and a perilous quest: to journey across Middle-earth, deep into the shadow of the Dark Lord, and destroy the Ring by casting it into the Cracks of Doom.

The Lord of the Rings tells of the great quest undertaken by Frodo and the Fellowship of the Ring: Gandalf the Wizard; the hobbits Merry, Pippin, and Sam; Gimli the Dwarf; Legolas the Elf; Boromir of Gondor; and a tall, mysterious stranger called Strider.

This new edition includes the fiftieth-anniversary fully corrected text setting and, for the first time, an extensive new index.

J.R.R. Tolkien (1892-1973), beloved throughout the world as the creator of The Hobbit, The Lord of the Rings, and The Silmarillion, was a professor of Anglo-Saxon at Oxford, a fellow of Pembroke College, and a fellow of Merton College until his retirement in 1959. His chief interest was the linguistic aspects of the early English written tradition, but while he studied classic works of the past, he was creating a set of his own.
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The Fall of Gondolin

#1 NEW YORK TIMES BESTSELLER

In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwë, chief of the Valar: he is called the Lord of Waters, of all seas, lakes, and rivers under the sky. But he works in secret in Middle-earth to support the Noldor, the kindred of the Elves among whom were numbered Húrin and Túrin Turambar.
 
Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo’s desires and designs.
 
Into this world comes Tuor, cousin of Túrin, the instrument of Ulmo’s designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon’s daughter, and their son is Eärendel, whose birth and profound importance in days to come is foreseen by Ulmo.
 
At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Túrin and Idril, with the child Eärendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Eärendel, which Tolkien never wrote, but which is sketched out in this book from other sources.
 
Following his presentation of Beren and Lúthien Christopher Tolkien has used the same ‘history in sequence’ mode in the writing of this edition of The Fall of Gondolin. In the words of J.R.R. Tolkien, it was ‘the first real story of this imaginary world’ and, together with Beren and Lúthien and The Children of Húrin, he regarded it as one of the three ‘Great Tales’ of the Elder Days.
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The Hobbit and the Lord of the Rings (the Hobbit / the Fellowship of the Ring / the Two Towers / the

THE BOOKS THAT INSPIRED THE EPIC MOTION PICTURES

J.R.R. TOLKIEN
THE LORD OF THE RINGS

THE HOBBIT
THE FELLOWSHIP OF THE RING
THE TWO TOWERS
THE RETURN OF THE KING

© New Line Productions, Inc. All rights reserved. THE HOBBIT: AN UNEXPECTED JOURNEY and the names of the characters, items, events and places therein are trademarks of The Saul Zaentz Company d/b/a Middle-earth Enterprises under license to New Line Productions, Inc. (s12)
Motion Picture Artwork © 2012 Warner Bros. Entertainment Inc. All Rights Reserved.
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Tolkien Calendar 2019

Celebrate 2019 with this gorgeous calendar that captures the beauty, magic, mystery, and danger of J. R. R. Tolkien’s beloved fantasy world.

For more than forty years, the Tolkien Calendar has been celebrated by fans worldwide. Featuring gorgeous paintings by the acclaimed illustrator Alan Lee—the acclaimed illustrator of the Tolkien centenary edition of The Lord of the Rings, several Tolkien calendars, and many other classics—the 2019 official Tolkien calendar transports fans to J. R. R. Tolkien’s Middle-earth, where the forces of good and evil, darkness and light, battle for control.

This enchanting collectible calendar includes images of popular characters and scenes from the Tolkien universe and is a must for all Tolkien enthusiasts.

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The Silmarillion

The must-have companion to the epic masterpiece The Lord of the Rings

The Silmarillion is Tolkien’s first book and his last. Long preceding in its origins The Lord of the Rings, it is the story of the First Age of Tolkien’s world, the ancient drama to which characters in The Lord of the Rings look back, and in which some of them, such as Elrond and Galadriel, took part. The Silmarillion was begun in 1917, and Tolkien worked on it, changed it, and enlarged it throughout his life. Edited by his son, Christopher Tolkien, the book finally appeared four years after the author’s death.

Praise for The Silmarillion

“Essential reading for Tolkien lovers and an important book.”Baltimore Sun

“A creation of singular beauty . . . magnificent in its best moments.”The Washington Post

“The tale of Middle-earth before and during the coming of the humans . . . richly filled with magic, heroic deed, and wonderful resonant names . . . a fantastic book in every sense of the word.”The Seattle Times
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The Hobbit

A great modern classic and the prelude to The Lord of the Rings.
 
Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely traveling any farther than his pantry or cellar. But his contentment is disturbed when the wizard Gandalf and a company of dwarves arrive on his doorstep one day to whisk him away on an adventure. They have launched a plot to raid the treasure hoard guarded by Smaug the Magnificent, a large and very dangerous dragon. Bilbo reluctantly joins their quest, unaware that on his journey to the Lonely Mountain he will encounter both a magic ring and a frightening creature known as Gollum.

“A glorious account of a magnificent adventure, filled with suspense and seasoned with a quiet humor that is irresistible . . . All those, young or old, who love a fine adventurous tale, beautifully told, will take The Hobbit to their hearts.” – New York Times Book Review
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The Fellowship of the Ring: Being the First Part of The Lord of the Rings

The first volume in J.R.R. Tolkien's epic adventure THE LORD OF THE RINGS
 
One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them

In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell into the hands of Bilbo Baggins, as told in The Hobbit. In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as his elderly cousin Bilbo entrusts the Ring to his care. Frodo must leave his home and make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ring and foil the Dark Lord in his evil purpose.

“A unique, wholly realized other world, evoked from deep in the well of Time, massively detailed, absorbingly entertaining, profound in meaning.” – New York Times
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The Return of the King: Being the Third Part of the Lord of the Rings

The third volume in J.R.R. Tolkien's epic adventure THE LORD OF THE RINGS

One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them

As the Shadow of Mordor grows across the land, the Companions of the Ring have become involved in separate adventures. Aragorn, revealed as the hidden heir of the ancient Kings of the West, has joined with the Riders of Rohan against the forces of Isengard, and takes part in the desperate victory of the Hornburg. Merry and Pippin, captured by Orcs, escape into Fangorn Forest and there encounter the Ents. Gandalf has miraculously returned and defeated the evil wizard, Saruman. Sam has left his master for dead after a battle with the giant spider, Shelob; but Frodo is still alive—now in the foul hands of the Orcs. And all the while the armies of the Dark Lord are massing as the One Ring draws ever nearer to the Cracks of Doom.

“A triumphant close . . . a grand piece of work, grand in both conception and execution. An astonishing imaginative tour de force.” – Daily Telegraph

Includes the complete appendices and index for The Lord of the Rings trilogy.
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The Two Towers: Being the Second Part of The Lord of the Rings

The second volume in J.R.R. Tolkien's epic adventure THE LORD OF THE RINGS

One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them

Frodo and his Companions of the Ring have been beset by danger during their quest to prevent the Ruling Ring from falling into the hands of the Dark Lord by destroying it in the Cracks of Doom. They have lost the wizard, Gandalf, in a battle in the Mines of Moria. And Boromir, seduced by the power of the Ring, tried to seize it by force. While Frodo and Sam made their escape, the rest of the company was attacked by Orcs. Now they continue the journey alone down the great River Anduin—alone, that is, save for the mysterious creeping figure that follows wherever they go.

“Among the greatest works of imaginative fiction of the twentieth century. The book presents us with the richest profusion of new lands and creatures, from the beauty of Lothlórien to the horror of Mordor.” – Sunday Telegraph
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The Lord of the Rings: One Volume

One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them

In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins.

From Sauron's fastness in the Dark Tower of Mordor, his power spread far and wide. Sauron gathered all the Great Rings to him, but always he searched for the One Ring that would complete his dominion.

When Bilbo reached his eleventy-first birthday he disappeared, bequeathing to his young cousin Frodo the Ruling Ring and a perilous quest: to journey across Middle-earth, deep into the shadow of the Dark Lord, and destroy the Ring by casting it into the Cracks of Doom.

The Lord of the Rings tells of the great quest undertaken by Frodo and the Fellowship of the Ring: Gandalf the Wizard; the hobbits Merry, Pippin, and Sam; Gimli the Dwarf; Legolas the Elf; Boromir of Gondor; and a tall, mysterious stranger called Strider.

This new edition includes the fiftieth-anniversary fully corrected text setting and, for the first time, an extensive new index.

J.R.R. Tolkien (1892-1973), beloved throughout the world as the creator of The Hobbit, The Lord of the Rings, and The Silmarillion, was a professor of Anglo-Saxon at Oxford, a fellow of Pembroke College, and a fellow of Merton College until his retirement in 1959. His chief interest was the linguistic aspects of the early English written tradition, but while he studied classic works of the past, he was creating a set of his own.
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The Children of Hurin

TOLKIEN'S NEW WORK:  A Parable on Humanity's Inability to Conquer Evil Without a Redeemer "Already the reviews are pouring in, and most are favorable for J. R. R. Tolkien's The Children of Hurin.  Rather than focus on the usual stuff of criticism, I want to look directly at Tolkien the Catholic author and what he does with this material.  The man who talked about the necessity for a happy ending and the triumph of good over evil has produced a tale of woe, betrayal, and tragedy that turns the most optimistic  of us to tears.  Therein lies the genius of this work.  Born out of the despair of World War I, treasured in his heart for his entire life but never really given final form, a window into the complex heart of this Catholic author,  The Children of Hurin is a brilliant portrayal of the power of evil even in the midst of God's providence and ultimate conquest of this dark force.  Almost a century old in its genesis, the tale is parable for our times and a cautionary warning about the pride of humanity. In our world, we like to think of ourselves as the masters of creation, flawed but not really sinful.  Ask a friend if he or she sins and they will tell you they make mistakes but "sin?"--not so much.  The Western world values "niceness" above all other virtues and raises tolerance to an almost oppressive  level.  We must accept anything and everything because each of us is the ultimate decider of what is right and wrong.  Ambiguity rules our hearts and assuages our consciences.  What is good for you may be wrong for me and vice versa.  Too much reflection and we may think badly of ourselves.  The problem is:  not enough reflection and when our sins come home to roost and we must face them, then we may just give in to despair. Critics will say our world is nothing like the one Tolkien created in his mythology, but they wo
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Beren and Lúthien

The tale of Beren and Lúthien was, or became, an essential element in the evolution of The Silmarillion, the myths and legends of the First Age of the World conceived by J.R.R. Tolkien. Returning from France and the battle of the Somme at the end of 1916, he wrote the tale in the following year.
 
Essential to the story, and never changed, is the fate that shadowed the love of Beren and Lúthien: for Beren was a mortal man, but Lúthien was an immortal elf. Her father, a great elvish lord, in deep opposition to Beren, imposed on him an impossible task that he must perform before he might wed Lúthien. This is the kernel of the legend; and it leads to the supremely heroic attempt of Beren and Lúthien together to rob the greatest of all evil beings, Melkor, called Morgoth, the Black Enemy, of a Silmaril.
 
In this book Christopher Tolkien has attempted to extract the story of Beren and Lúthien from the comprehensive work in which it was embedded; but that story was itself changing as it developed new associations within the larger history. To show something of the process whereby this legend of Middle-earth evolved over the years, he has told the story in his father's own words by giving, first, its original form, and then passages in prose and verse from later texts that illustrate the narrative as it changed. Presented together for the first time, they reveal aspects of the story, both in event and in narrative immediacy, that were afterwards lost.
 
Published on the tenth anniversary of the last Middle-earth book, the international bestseller The Children of Húrin, this new volume will similarly include drawings and color plates by Alan Lee, who also illustrated The Lord of the Rings and The Hobbit and went on to win Academy Awards for his work on The Lord of the Rings film trilogy.
 
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The Hobbit (Graphic Novel) with a subtitle of An illustrated edition of the fantasy classic

An illustrated edition of the enchanting prequel to The Lord of the Rings, The Hobbit—the classic fantasy that inspired Peter Jackson’s major motion picture trilogy—in a newly expanded edition.

When Thorin Oakenshield and his band of dwarves embark upon a dangerous quest to reclaim the hoard of gold stolen from them by the evil dragon Smaug, Gandalf the wizard suggests an unlikely accomplice: Bilbo Baggins, an unassuming Hobbit dwelling in peaceful Hobbiton.

Along the way, the company faces trolls, goblins, giant spiders, and worse. But as they journey from the wonders of Rivendell to the terrors of Mirkwood and beyond, Bilbo will find that there is more to him than anyone—himself included—ever dreamed. Unexpected qualities of courage and cunning, and a love of adventure, propel Bilbo toward his great destiny . . . a destiny that waits in the dark caverns beneath the Misty Mountains, where a twisted creature known as Gollum jealously guards a precious magic ring.
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